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Coming up with a list of the best horror movies of all time is a good way to weed out 💱 the scary movie veterans from the scaredy cats. You can spot 'em every time a jump scare happens, or a 💱 devil-possessed girl crab walks upstairs, or an alien missiles out of some poor sucker's chest.

Okay, so we were more scared 💱 than not when working on this list. Sue us! Using overall movie quality, impact on the genre, legacy potential, fright/creepy 💱 factor and that mysterious quality known as Editor's Choice, we assembled a list of movies that guarantee you'll want to 💱 sleep with the lights on.

Some of the movies here are more traditional horror fare, while others are just twisted and 💱 creepy in a "permanently scarred for life" sorta way (e.g. The Silence of the Lambs). But all of them will 💱 scare the living heck out of you. So enjoy, and fire off your own suggestions and faves in the comments!

The 💱 25 Best Horror Movies 26 Images

25. Scream (1996)

Director : Wes Craven

: Wes Craven Stars : Neve Campbell, Courteney Cox, David 💱 Arquette

: Neve Campbell, Courteney Cox, David Arquette Runtime: 111 mins

Both director Wes Craven and writer Kevin Williamson have plenty of 💱 successes in their career, but Scream remains a big highlight for both men. Williamson's script managed to deftly be so 💱 many things -- it was a sly meta/self-parody about the horror genre that didn't cross the line into goofiness, while 💱 also playing as a successful whodunit and, most importantly, an effective horror film in and of itself.

Finally a group of 💱 horror movie characters made it clear that yes, they'd seen all the same movies we had, and were aware of 💱 the rules and clichés that come with the genre. But no one was more knowledgeable than the killer (or is 💱 that killers?), who toyed with the victims by asking them horror movie trivia that plenty of us in the audience 💱 could have fun playing along with.

But when the killer actually showed himself, it was terrifying, with several extremely well-executed suspense 💱 scenes by Craven, which proved again just how good he was with this sort of material. A movie that set 💱 out to simultaneously make the audience laugh, cheer and yes, scream, Scream deserves a lot of credit for pulling off 💱 all these elements so well.

Scene to watch with the lights on: Scream's opening scene is incredibly strong and scary, instantly 💱 grabbing the audience by the throat. Watching a high school girl (Drew Barrymore) get a series of increasingly ominous phone 💱 calls, we (and she) begin to realize just how vulnerable she is. And that's when the guy with the ghost-faced 💱 mask shows up...

See Where to Watch Every Scream Movie

24. Nosferatu (1922)

Director : F.W. Martin

: F.W. Martin Stars : Max Shcreck, 💱 Alexander Granach, Gustav von Wangenheim

: Max Shcreck, Alexander Granach, Gustav von Wangenheim Runtime: 94 mins

Count Orlok is moving to Germany, 💱 and he’s bringing pestilence and shadows with him. F.W. Murnau’s shameless rip-off of Bram Stoker’s Dracula does away with the 💱 sensuality that many associate with the undead monster, revealing the vampire to be a sad and rat-like creature, tormented by 💱 isolation and completely wrong for the modern world.

Murnau seems to have a queasy fixation on Orlok and his eery appetites, 💱 and his movie paints them out with thick shadows and grotesque imagery. Max Schreck’s performance as the Count is so 💱 bizarre and hypnotic that, years later, he stills ranks as one of the most iconic horror monsters. Indeed, the horror 💱 genre is still using the language that Murnau helped invent with Nosferatu, and his film feels as deliriously creepy today 💱 as it ever did.

Scene to watch with the lights on: Count Orlok’s last hurrah as he approaches a beautiful, sleeping 💱 victim is an oft-imitated and, almost 100 years later, still very creepy moment.

See more of the best vampire movies of 💱 all time.

23. The Blair Witch Project (1999)

Directors : Daniel Myrick, Eduardo Sánchez

: Daniel Myrick, Eduardo Sánchez Stars : Heather Donahue, 💱 Michael C. Williams, Joshua Leonard

: Heather Donahue, Michael C. Williams, Joshua Leonard Runtime: 81 mins

The movie that gave birth to 💱 the widespread "horror movie as faux-documentary" trend and that inspired such films as Paranormal Activity, The Blair Witch Project is 💱 quite an effective scare fest in retrospect.

Some of its then-inspired choices in the realm of "is it or isn't real" 💱 seem dated and obvious now, given the fact that the Internet seemingly sets out to reveal spoilers that surround projects 💱 like this. (Also, we know it's all fiction at this point.) But Blair Witch came out in 1999, when the 💱 Internet was in its infancy and could be used as a tool to successfully convince audiences that maybe the story 💱 of a three-person documentary crew going snipe hunting for what turns out to be pure evil is in fact real.

Blame 💱 the gift/curse of the shaky cam on this movie, but give it credit for delivering scares in such a way 💱 that changed the way we like to be scared... and that changed the way Hollywood goes about making the things 💱 that scare us.

Scene to watch with the lights on: A night in the woods full of tent shaking and lots 💱 of screaming leads to a morning where one character discovers a nice gift-wrap of anatomy no longer attached to its 💱 person.

22. Dracula (1931)

Directors : Tod Browning, Karl Freund

: Tod Browning, Karl Freund Stars : Bela Lugosi, Helen Chandler, David Manners

: 💱 Bela Lugosi, Helen Chandler, David Manners Runtime: 75 mins

All of today's mega-popular vampire franchises owe a debt of gratitude to 💱 Count Dracula. And as much as Bram Stoker's original novel helped popularize the vampire story, it was Universal's 1931 adaptation 💱 that cemented the image of Dracula in the minds of most moviegoers.

Dracula condenses and combines many of the main characters 💱 from the novel, opening with the poor Mr. Renfield's arrival in Transylvania. After falling victim to Dracula's influence, the pair 💱 head to London so Dracula can feast on the city's inhabitants. Only the courageous Dr. Seward, his ally Professor Van 💱 Helsing, and their friends can prevent Dracula from slaughtering innocents and making the fair Mina his newest bride.

Dracula isn't the 💱 scariest film by modern standards (though the alternate Spanish cut is superior in that regard). What it does have is 💱 plenty of atmosphere and a very memorable take on the lead villain. This adaptation diverged from the source by making 💱 Dracula a handsome, charismatic figure, and Bela Lugosi captured the imaginations of millions with his performance as Dracula. For better 💱 or worse, it was a role that would follow him for the rest of his life. And it remains the 💱 definitive portrayal of this classic villain for many.

Scene to watch with the lights on: Renfield's midnight ride is full of 💱 dramatic tension as he meets the world's creepiest carriage driver. By the time he finally arrives at the castle and 💱 is introduced to its master, he and the viewer are much worse for wear.

21. 28 Days Later (2002)

Director : Danny 💱 Boyle

: Danny Boyle Stars : Cillian Murphy, Naomie Harris, Christopher Eccleston

: Cillian Murphy, Naomie Harris, Christopher Eccleston Runtime: 113 mins

The 💱 zombie genre is bigger than ever now, and you have 28 Days Later to thank for it. The genre was 💱 practically dead by the time Danny Boyle and screenwriter Alex Garland gave zombies a much needed shot of adrenaline with 💱 this film. Seriously, this movie is pumped up on adrenaline. The zombies -- er, sorry, “infected” -- sprint through the 💱 movie, spawning endless debates about whether “fast zombies” are scarier than “slow zombies.” As if that’s the important thing.

What mattered 💱 most is that 28 Days Later was more than a visceral horror experience. A great cast and a smart script 💱 treated the concept with sincerity and severity, and Boyle’s digital cinematography gave the film an immediacy that hadn’t been matched 💱 at that time. If zombies -- sigh, “infected” -- did take over the Earth, this is surely what it would 💱 look and feel like. And it would be terrifying.

Scene to watch with the lights on: When Cillian Murphy finds his 💱 way into a church and starts to realize what’s really been going on since he woke up.

20. The Fly (1986)

Director 💱 : David Cronenberg

: David Cronenberg Stars : Jeff Goldblum, Geena Davis, John Getz

: Jeff Goldblum, Geena Davis, John Getz Runtime: 💱 96 mins

David Cronenberg's very R-rated, very intense and very excellent remake of The Fly puts Jeff Goldblum in the role 💱 of Seth Brundle, a scientist who invents telepods meant to change the world. Instead, they change him into a man-fly 💱 monster when a fly accidentally gets trapped in one of the machines as Seth teleports from one pod to the 💱 other.

The script, performances and Howard Shore's tremendous score work together to create a horror opera, one full of dark twists 💱 and practical creature effects scares. Once all the gore and vomiting-on-food-to-eat-it settles, we realize we've just watched a tragedy about 💱 a scientist who accounted for everything save nature finding a way to remind man not to play God. (Kind of 💱 fitting that Goldblum learned this lesson here and again in Jurassic Park, no?)

Scene to watch with the lights on: Brundlefly 💱 inspecting a medicine cabinet-turned-museum of pieces of the man-fly that his new insect body doesn't need anymore. (Give yourself a 💱 gold star if you can spot his mason-jarred junk or if you don't wince at the moment before this scene, 💱 where Seth peels off his fingernails.)

19. An American Werewolf in London (1981)

Director : John Landis

: John Landis Stars : David 💱 Naughton, Jenny Agutter, Joe Belcher

: David Naughton, Jenny Agutter, Joe Belcher Runtime: 97 mins

It rarely hurts to merge horror with 💱 a tinge of comedy, and John Landis' An American Werewolf in London is one of the finer examples of that 💱 combination. It's also one of several iconic werewolf movies that hit theaters in 1981. Of the trio, American Werewolf remains 💱 the most popular and well-loved.

The film begins with two backpackers traveling the English countryside. When only one survives an attack 💱 by a vicious wolf, he becomes convinced he's been infected by the werewolf's curse. And it wouldn't be much of 💱 a werewolf movie if he turned out to be wrong.

An American Werewolf in London stood out at the time thanks 💱 to its amazing makeup and special effects work; never had the werewolf transformation seemed so convincing. The humor didn't hurt 💱 either. And then there’s the brilliantly demented nightmare sequences. But American Werewolf was ultimately a tragic horror film, and one 💱 certainly deserving of remembrance today.

Scene to watch with the lights on: American Werewolf's iconic transformation scene is a showcase for 💱 just how grotesque and painful the werewolf curse can be. When David wolfs out, what ensues is a graphic transformation 💱 of man into werewolf. This all-too convincing display of special effects and makeup work from 1981 still holds up today.

18. 💱 Let the Right One In (2008)

Director : Tomas Alfredson

: Tomas Alfredson Stars : Kåre Hedebrant, Lina Leandersson, Per Ragnar

: Kåre 💱 Hedebrant, Lina Leandersson, Per Ragnar Runtime: 114 mins

Can you believe that there's a movie on our list that got its 💱 title from a Morrissey song? This most unusual of love stories is a Swedish film which hit it big internationally 💱 with its tale of a 12-year-old boy and his centuries-old vampire... who looks like a 12-year-old girl (but most certainly 💱 isn't).

Whether or not Oskar and Eli's relationship is an equal partnership, or Oskar is doomed to become the vampire's next 💱 Hakan (the old and ill-fated human who takes care of Eli early in the film) isn't clear. But it's an 💱 engrossing story from start to finish.

Though chock-full of bloody good horror moments, director Tomas Alfredson's film works so well because 💱 it is acutely interested in its two lead characters: Oskar, the boy who is bullied at school and finds a 💱 protector in his new, nocturnal neighbor; and Eli, a beautiful little cherub who's actually not even a girl and certainly 💱 not a cherub. Weird, right? But so good.

Scene to watch with the lights on: This may be a controversial pick 💱 (and a spoilery one), but we'd have to go with the closing moments of the film, as Oskar and Eli 💱 head off for a new life together as friends and/or love interests. Or as master and slave? You decide, but 💱 it is creepy either way.

17. Suspiria (1977)

Director : Dario Argento

: Dario Argento Stars : Jessica Harper, Stefania Casini, Flavio Bucci

: 💱 Jessica Harper, Stefania Casini, Flavio Bucci Runtime: 92 mins

Of course we're including a giallo film on this list, though the 💱 question did come up as to which of the Italian horror masters was most deserving to represent this distinctive genre. 💱 In the end, we had to give it to Dario Argento and his Suspiria -- a supernatural shocker that is 💱 an experience in style as well as terror.

The film is about an American ballerina who travels to Germany to attend 💱 a dance academy, but instead gets a tutu full of trouble when she comes to realize that the place is 💱 home to a coven of witches who are brewing up all kinds of deadly mischief.

The picture might seem over the 💱 top in some ways, but Argento proves masterful at creating an environment and a world that is uniquely its own 💱 thing. The gruesome, convoluted killings, the garish color design, the freaked-out sound (including a haunting score by Goblin)... this is 💱 the stuff that nightmares are made of and one of the best witch movies ever made.

Scene to watch with the 💱 lights on: Don't even bother turning the lights off, since the film gets right to it with a double murder 💱 early on that sees one young lady staring out a window into the dark, only to suddenly realize that a 💱 pair of eyes are staring back. This leads to stabbings, a hanging and, finally, impalement by stained glass for her 💱 and her friend.

16. Dawn of the Dead (2004)

Director : Zack Snyder

: Zack Snyder Stars : Sarah Polley, Ving Rhames, Mekhi 💱 Phifer

: Sarah Polley, Ving Rhames, Mekhi Phifer Runtime: 101 mins

George Romero practically created the zombie movie genre single-handedly in 1968 💱 with Night of the Living Dead. Ten years later he refined the formula with Dawn of the Dead. Far bigger, 💱 gorier, and funnier than its predecessor, Dawn of the Dead remains Romero's definitive work.

Whereas Night featured a small cast of 💱 survivors holed up in a remote farmhouse, Dawn opens with a glimpse of a major metropolitan area falling to chaos 💱 during the zombie outbreak. It isn't long before our four heroes are forced to leave town and barricade themselves inside 💱 a shopping mall. But as it turns out, the undead hordes still retain enough of their old selves to feel 💱 the need to shop and consume.

The true brilliance of Dawn is how it combined straight-up zombie carnage with a healthy 💱 dose of satire and social commentary. At the end of the day, are modern Americans really so different from the 💱 shambling undead? They crave warm flesh; we crave iPhones.

Scene to watch with the lights on: When Roger finally succumbs to 💱 his bite wounds, it’s a tragic moment that really drives home what our characters have lost in this world.

15. A 💱 Nightmare on Elm Street (1984)

Director : Wes Craven

: Wes Craven Stars : Heather Langenkamp, Johnny Depp, Robery Englund

: Heather Langenkamp, 💱 Johnny Depp, Robery Englund Runtime: 91 mins

By 1984, the slasher movies had been done to death (excuse the pun). Just 💱 how many masked killers could you see before fatigue set in? But Wes Craven had a brilliant twist on these 💱 types of films. First, he created a killer, Freddy Krueger, who instantly stood out from the rest of the pack. 💱 His face was burned beyond recognition, but Freddy wore no mask and didn't stay silent.

In fact, he had plenty of 💱 cruel taunts for his victims. More importantly, his domain was the dream world, where he could stalk and terrorize without 💱 any rules to bind him -- if you ran away from him, he could just as easily be waiting for 💱 you as you approached. There was nowhere to hide from Freddy because we all have to sleep sometime, right?

Featuring a 💱 more down to Earth and relatable group of young characters than most slasher films, A Nightmare on Elm Street made 💱 a huge impact upon its release, thanks to its excellent conceit and amazing villain, and Craven's talent at building tension 💱 and delivering the goods in his murder scenes. And with Freddy, Craven gave us one of the most popular, durable 💱 and recognizable horror movie villains of all time.

Scene to watch with the lights on: When Freddy gets a hold of 💱 Tina in her dream, we suddenly realize just how big the stakes are, as her sleeping body is pulled up 💱 into the air, and four fatal cuts rip into her. The fact that she's dragged along the ceiling, screaming, before 💱 she dies, as her boyfriend looks on in horror, only adds to the shock of the scene.

See our guide to 💱 the Nightmare on Elm Street movies in order.

14. Poltergeist (1982)

Director : Tobe Hooper

: Tobe Hooper Stars : JoBeth Williams, Heather 💱 O'Rourke, Craig T. Nelson

: JoBeth Williams, Heather O'Rourke, Craig T. Nelson Runtime: 114 mins

After Poltergeist, all of a sudden quaint 💱 cookie-cutter houses everywhere became haunted death-traps, ravaged by violent Native American ghosts who weren't too pleased about their current state 💱 of "unrest."

Director Tobe Hooper and producer Steven Spielberg created a veritable masterwork that took the ghost story out of ancient 💱 castles and haunted mansions and shoved it, without apology, into the happy suburban track home.

Almost every single part of this 💱 movie is so full of devastating win -- from Carol Ann's warbled white-noise voice to freakin' angry trees that bust 💱 through your window to grab you -- that one is almost able to forgive the less-than-warranted sequels. This house may 💱 now be "clean," but your pants are going to need changing.

Scene to watch with the lights on: Man. Just pick 💱 anything. How about the guy who tears his own face apart or the malicious clown doll that loves to strangle 💱 or the vengeful zombies coming out of the swimming pool? This movie will hit you from every direction and leave 💱 you cowering in the corner.

13. The Thing (1982)

Director : John Carpenter

: John Carpenter Stars : Kurt Russel, Wilford Brimley, Keith 💱 David

: Kurt Russel, Wilford Brimley, Keith David Runtime: 109 mins

An alien with the ability to take the form of any 💱 life that it absorbs infiltrates an Antarctic research base, and soon the 12-man team is up to their eyeballs in 💱 slaughter, suspicion and paranoia. John Carpenter's film has itself planted on either side of the horror and sci-fi movie lines.

The 💱 Thing plays fair within both genres, but leans more toward horror. The movie takes its time setting up the rules 💱 of the creature living amongst our heroes, while more importantly establishing each character -- from Windows to MacReady to MacReady's 💱 beard -- as people we actually worry about.

The practical special effects hold up better than you'd think, and Kurt Russell 💱 gives one of his best performances as team leader MacReady. But really, the entire ensemble is excellent as each character 💱 comes to realize that all is not what it seems in their camp. And that ending! We’re still arguing about 💱 what it really means all these years later.

Scene to watch with the lights on: The scariest bit involves the Thing 💱 assimilating dogs and revealing a mouth (best described as a flower made out of tongue petals) moments before it slime-claws 💱 its way out of sight.

12. The Texas Chain Saw Massacre (1974)

Director : Tobe Hooper

: Tobe Hooper Stars : Marilyn Burns, 💱 Edwin Neal, Allen Danziger

: Marilyn Burns, Edwin Neal, Allen Danziger Runtime: 83 mins

Like your films bleak, bloody and full of 💱 brutality? Tobe Hooper's gruesome 1974 indie flick took the nefarious inbred mountain folk that we all cringed at in 1972's 💱 Deliverance and turned them into an aggressively insane backwoods clan of cannibals. Take a van full of "young adults" on 💱 their way to, let’s say, smoke weed and hang out at a cemetery, and let them run out of gas 💱 in the wrong part of Texas. Then throw in the skin-suited Leatherface and some meat-hooks and you've got yourself a 💱 film that barely found a distributor because of its extreme levels of graphic violence.

Psycho might have been the first "slasher" 💱 film per se, but The Texas Chainsaw Massacre simultaneously elevated and de-elevated the genre with its disturbing levels of sadism.

Scene 💱 to watch with the lights on: It might not be the moment you immediately think of, but the two-minute-long scene 💱 where poor Sally is forced to "dine" with Leatherface's family where she's tied to a chair made out of human 💱 parts and they all just laugh at her screaming is pretty disturbing!

11. Rosemary's Baby (1968)

Director : Roman Polanski

: Roman Polanski 💱 Stars : Mia Farrow, John Cassavetes, Ruth Gordon

: Mia Farrow, John Cassavetes, Ruth Gordon Runtime: 137 mins

Get over Mia Farrow's 💱 bad haircut and watch this movie. You'll be surprised how much this unsettling creepshow from 1968 gets away with for, 💱 you know, being in 1968. Roman Polanski's most "conventional" film outside of Chinatown is one of his best, telling the 💱 slow-burn story of a young New York couple who move into an apartment building... which happens to be home to 💱 several Satan worshipers who want to use Rosemary's spawn as a means for Mr. Devil McBrimstone to enter our mortal 💱 realm.

Farrow is perfect in the role of Rosemary, as she slowly unravels the more she discovers what shady cult dealings 💱 are happening all around her. The entire world seems to be conspiring against the most innocent of people here, as 💱 the devil watches from the wings and Rosemary breaks down.

Polanski's lean approach to delivering chills further supports the storytelling rule 💱 that the more kept off screen, the more the audience has to imagine, and hence, the scarier.

Scene to watch with 💱 the lights on: When Rosemary finally gets to meet her baby.

10. Night of the Living Dead (1968)

Director : George A. 💱 Romero

: George A. Romero Stars : Duane Jones

: Duane Jones Runtime: 96 mins

In 1968, director George Romero took the frightening 💱 idea of "zombification," which up until that point had been relegated to creepy voodoo tales and extra-dimensional Lovecraft-ian lore, and 💱 created a terrifying new genre of horror: the zombie apocalypse film. "They're coming to get you Barbara" became the first 💱 official "I'll be back" of horror, as poor Judith O'Dea has to flee a cemetery because the dead have inexplicably 💱 come back to life and started walking the Earth in search of human flesh.

Hitchcock discovered, with 1963's The Birds, that 💱 the sheer terror of "not knowing" the reasons behind the sweeping global outbreak of evil can be the most horrifying 💱 part of the entire story. The "Zombocalypse" genre is so enduring that it's still going strong today (hello, Walking Dead 💱 fans...). Sure, some films have made their zombies run fast and tried to explain the whole dead-alive deal with a 💱 virus, and that's all fine. But nothing will ever beat the basics.

With this one film, Romero was able to tap 💱 into so many things we're afraid of: death, desecration of the flesh, cannibalism, brainwashing, disease and hopelessness. There's also a 💱 stinging underlying social message about racism, media and paranoia where viewers got to learn that they could be just as 💱 dangerous and cruel as the mindless hordes of undead they were hiding from.

Scene to watch with the lights on: The 💱 end, when our hero Ben finally makes it out of the farmhouse.

9. Evil Dead II (1987)

Director : Sam Raimi

: Sam 💱 Raimi Stars : Bruce Campbell, Sarah Berry, Dan Hicks

: Bruce Campbell, Sarah Berry, Dan Hicks Runtime: 84 mins

Though more of 💱 a "remix" than a sequel, Evil Dead II improves on its predecessor in almost every way. More gore, more comedy, 💱 more, more, more…

Director Sam Raimi and Bruce Campbell (and Ash!) returned to the woods after six years for Evil Dead 💱 II, which leans into the gruesome excess of the first but ups the ante to a ridiculous degree (this was 💱 the one where an eyeball flies into a person’s open mouth). Though Evil Dead II didn't invent splat-stick, it sure 💱 did perfect it, and went on to influence countless other comedy gross-outs. (Also see 16 Things You May Not Know 💱 About Evil Dead).

And yet, for all the fun grotesqueries on display, Raimi still manages to chill and scare his audience 💱 plenty with stylish and over-the-top antics. Check out Henrietta peeping in on things from the basement, or Ash’s brief turn 💱 as a Deadite himself (before he’s saved by a fortuitously timed rising sun). Groovy.

Scene to watch with the lights on: 💱 Ash’s farewell to his girlfriend Linda will have you in pieces. Or her, anyway.

8. The Silence of the Lambs (1991)

Director 💱 : Jonathan Demme

: Jonathan Demme Stars : Jodie Foster, Anthony Hopkins, Lawrence A. Bonney

: Jodie Foster, Anthony Hopkins, Lawrence A. 💱 Bonney Runtime: 118 mins

Using a serial-killer cannibal with a doctorate to help catch another serial killer is as bare bones 💱 as you can get with this Best Picture Oscar winner. But the movie is much more than that. It's the 💱 scariest movie ever made built around psychology and deduction, with both used as crime-solving tools and murder weapons. Yes, blame 💱 this movie all you want for your friend's bad Hannibal Lecter impersonation that never seems to get better, but it 💱 gave us one of the screen's all-time iconic villains and Anthony Hopkins the role of his career.

Jodie Foster is also 💱 exceptional as FBI Agent Clarice Starling, on the trail of Buffalo "It Puts the Lotion in the Basket" Bill. Director 💱 Jonathan Demme is effortless and relentless with his tension here, succeeding where Ridley Scott failed in his 2001 sequel, Hannibal, 💱 by keeping Lecter more of a believable monster and less of a monstrous caricature.

We suggest watching The Silence of the 💱 Lambs with some fava beans and a nice chianti. Check out our list of the best 90s horror movies for 💱 more like this.

Scene to watch with the lights on: Lecter's first encounter with Clarice -- his crazy and her virtue 💱 are separated only by safety glass.

7. Jaws (1975)

Director : Steven Spielberg

: Steven Spielberg Stars : Roy Scheider, Robert Shaw, Richard 💱 Dreyfuss

: Roy Scheider, Robert Shaw, Richard Dreyfuss Runtime: 124 mins

The first blockbuster ever and the scariest movie (maybe even the 💱 best one?) Spielberg's ever made, Jaws is equal parts shark movie and character piece, centered on an island called Amity 💱 that's preyed upon by something that leaves teeth the size of shot glasses in the hulls of boats and turns 💱 their owners into decapitated flotsam. The late Roy Scheider gives a career-defining performance as Chief Brody, the local sheriff with 💱 a fear of water who is put in charge of taking down the murder fish.

Joining him on the Orca for 💱 the hunt are Richard Dreyfuss' Hooper and Robert "Find 'im for three, catch 'im and kill 'im for 10" Shaw 💱 as Quint, the number one cause of death for just about any marine life.

But you already know that. You should 💱 have seen this movie at least 10 times by now, thanks to cable and VHS and DVD and Blu-ray and 💱 streaming. You've probably contemplated making John Williams' theme your ring tone. It's made out of the type of movie magic 💱 that warrants repeat viewings.

Scene to watch with the lights on: It's a tie! When the shark turns Alex Kintner into 💱 a human chew toy… or when Bad Hat Harry stands before Brody, wearing a bathing suit and shaking his saggy 💱 gym-sock moobs.

6. Alien (1979)

Director : Ridley Scott

: Ridley Scott Stars : Sigourney Weaver, Tom Skerritt, John Hurt

: Sigourney Weaver, Tom 💱 Skerritt, John Hurt Runtime: 117 mins

Alien movies are generally thought of as being planted in the science fiction realm. However, 💱 with the original at least, Alien was as much a horror film as a sci-fi one. With a small cast 💱 being hunted by a lone, terrifying creature, Alien was a long way removed from the Star Wars and Star Treks 💱 of Hollywood.

The film is set several centuries in the future when humanity has ventured into the stars. The crew of 💱 the mining vessel Nostromo become unwitting hosts to a bloodthirsty alien lifeform, and one by one they fall to an 💱 enemy that hides in the shadows and springs from above. Only Ripley (Sigourney Weaver) is savvy enough to survive the 💱 alien's onslaught. Too bad for her it was only the first round.

Alien doesn't resemble many sci-fi movies of the time. 💱 Artist H.R. Giger designed a world full of twisted tubes, cold hallways, and pervasive darkness. Before Alien, pop culture never 💱 warned us how dark, dirty and scary the cold depths of space were. Director Ridley Scott adopted a "less is 💱 more" approach that later sequels sadly abandoned; modern directors can cram all the Aliens and Predators (and Michael Fassbender androids) 💱 they want into their films, but none can match the sheer claustrophobic terror generated in the original film.

Scene to watch 💱 with the lights on: Dinner with Kane and the crew of the Nostromo, fresh after Kane wakes up from his 💱 facehugger coma, ends with Kane disagreeing with something that ate its way out of his chest. They don't get much 💱 better than this, movie fans.

See our guide on how to watch the Alien movies in order.

5. The Bride of Frankenstein 💱 (1935)

Director : James Whale

: James Whale Stars : Boris Karloff, Elsa Lanchester, Colin Clive

: Boris Karloff, Elsa Lanchester, Colin Clive 💱 Runtime: 75 mins

Certainly there were those of us on the IGN staff who argued that this James Whale classic should've 💱 been higher on our list -- perhaps even number one. But compromise being what it is, director James Whale, Colin 💱 Clive, Boris Karloff and the rest have had to settle for fifth place.

The film is the apex of the Universal 💱 cycle of classic monster pictures in terms of quality. Rather than simply regurgitating a cheap variation on the first Frankenstein 💱 (which is basically what many of the Universal sequels would go on to do), Whale opted to, ahem, flesh out 💱 the story and characters of the original (which he also directed). Karloff, in his second turn as the Monster, granted 💱 his most famous creation the gift of speech here, and of friendship, and even love. Also, of humor -- Bride 💱 of Frankenstein is a comedy as much as it is a horror film.

Brimming with wonderful side characters (oh, Doctor Pretorius, 💱 how we miss you) and often unsettling imagery (Jesus H. Christ, did they just crucify the Monster?), the film is 💱 over 80 years old and we're still talking about it -- and loving it. To paraphrase Doctor Pretorius, "It is 💱 our only weakness"

Scene to watch with the lights on: The finale, when the Bride is finally created only to spurn 💱 the Monster, which is a very bad thing to do for anyone who values not getting blown up in an 💱 exploding mountainside laboratory.

4. Halloween (1978)

Director : John Carpenter

: John Carpenter Stars : Donald Pleasance, Jamie Lee Curtis, Tony Moran

: Donald 💱 Pleasance, Jamie Lee Curtis, Tony Moran Runtime: 91 mins

Psycho can be seen as the film that birthed the slasher genre, 💱 and Texas Chain Saw Massacre was an integral step in its progress, making things more visceral. But it was Halloween 💱 that truly defined this subgenre in horror, inspiring a million sequels, rip-offs, imitations and homages. Take an instantly identifiable holiday, 💱 add in a chillingly silent, unstoppable masked killer and a feisty, resourceful heroine and you have Halloween... and of course 💱 all the films that came after it.

But John Carpenter brought a sense of tension and suspense few others could match 💱 in a slasher film, as we watched Michael Myers stalk Laurie Strode (Jamie Lee Curtis) from afar, before going on 💱 his inevitable killing spree.

Michael himself is an excellent villain, wearing a blank, emotionless mask that perfectly captured the black soul 💱 of someone who simply killed and killed, and seemingly couldn't be stopped, no matter what you did to him. It's 💱 no wonder Michael became a horror icon and that fans rebelled when he didn't appear in Halloween III. After all, 💱 Michael Myers and Halloween -- both the film and the actual holiday -- are now forever intertwined.

Scene to watch with 💱 the lights on: Laurie Strode is trying to hide from Michael Myers, and crouches down inside a closet. She manages 💱 to tie the door shut, but that's not going to stop Michael, who begins smashing the door in, causing light 💱 to shine in and for Michael's spooky mask to come into plain view of the understandably terrified Laurie.

See our guide 💱 to the Halloween movies in order.

3. Psycho (1960)

Director : Alfred Hitchcock

: Alfred Hitchcock Stars : Anthony Perkins, Janet Leigh, Vera 💱 Miles

: Anthony Perkins, Janet Leigh, Vera Miles Runtime: 109 mins

Psycho is both one of the greatest thrillers of all time 💱 and one of the greatest entries in Alfred Hitchcock's legendary resume. A true master of suspense and tension, Hitchcock crafted 💱 a memorable horror experience with a limited cast and even more limited budget. Like so many great horror movies, Psycho's 💱 scares far exceed its limited scale.

The film tells the story of crazy old Norman Bates and his even crazier mother. 💱 When a young woman on the run from the law arrives at the remote Bates Motel, she falls victim to 💱 a knife-wielding killer. Several more victims are claimed before the true secret of the Bates family stands revealed.

The content of 💱 Psycho isn't as shocking as it was way back in 1960. After all, girls get stabbed in the shower all 💱 the time in modern horror cinema. However, it's a testament to Hitchcock's skill as a director that Psycho remains a 💱 tense and nerve-wracking experience. The killing of Janet Leigh's character and the accompanying musical key by Bernard Herrmann is one 💱 of the most famous scenes in Hollywood history.

Psycho is such a classic of the genre that it inspired a shot-for-shot 💱 remake in 1998. It's also had sequels and a TV show based on the tale.

Scene to watch with the lights 💱 on: What scene could we pick but the quintessential shower slaying? Coupled with that amazing music cue, it remains a 💱 horror classic almost 60 years later.

2. The Exorcist (1973)

Director : William Friedkin

: William Friedkin Stars : Ellen Burstyn, Max von 💱 Sydow, Linda Blair

: Ellen Burstyn, Max von Sydow, Linda Blair Runtime: 122 mins

"Tubular Bells" is the scariest music arrangement ever 💱 made. We hear it and we're the shaking-in-our-boots equivalent of Pavlov's Dog.

The movie's premise -- a little girl possessed by 💱 a demon -- is scary enough as words on paper. But what director William Friedkin does with it, aside from 💱 prove that he has a seriously strong (or frightfully off) constitution for this sort of stuff, is treat the extraordinary 💱 of it all as if it were really happening next door to us.

The scares come from a place based in 💱 faith, where Heaven and hell are as real as your beliefs in them care to be. Faith, for all the 💱 documentation on the subject, is tethered to the intangible; it's not something science can define or strategize. The demon that 💱 comes from The Exorcist's interpretation of that idea is something more powerful than a Freddy or a Jason. Something that 💱 can't be shot or stabbed or detonated.

Before it can be attacked, let alone defeated, it has to first be believed 💱 in -- as terrible and soul-threatening as this may be to the young priest and old priest charged with delivering 💱 the climatic exorcism. Fathers Karras and Merrin spend the third act of the movie fighting back the devil for control 💱 of young Regan's soul. And in doing so, Karras, a man of wavering faith throughout most of the movie, finally 💱 believes in the only true good he knows by sacrificing himself to save that little girl.

Film-school analyze this movie more 💱 if you want. Bottom line: It is the best horror movie about the consequences of belief ever made.

Scene to watch 💱 with the lights on: All of it. No no no, trust us. Watch it at mid-day, with the blinds open 💱 and the lights on. And then get used to the fact that you may never, ever sleep again.

1. The Shining 💱 (1980)

Director : Stanley Kubrick

: Stanley Kubrick Stars : Jack Nicholson, Shelley Duvall, Danny Lloyd

: Jack Nicholson, Shelley Duvall, Danny Lloyd 💱 Runtime: 146 mins

The Shining might just be Stephen King's most popular horror novel. Stanley Kubrick's movie adaptation is almost certainly 💱 the most popular Stephen King movie. The project was an unusually commercially-focused one for Kubrick, but the same stylistic elements 💱 that defined his earlier films were on full display, and the film remains a haunting and unsettling chronicle of a 💱 family man's psychological breakdown.

Jack Nicholson is iconic as Jack Torrance, the struggling writer who accepts a job as winter caretaker 💱 for the Overlook Hotel in the Colorado Mountains. The knowledge that the previous caretaker had gone insane and murdered his 💱 family fails to scare Jack away. But when both Jack and his psychically attuned son begin communing with the many 💱 spirits haunting the Overlook, things quickly take a turn for the worse. Deadly hedge mazes, elevators full of blood and 💱 the terrifying Room 237 are only some of the horrors that await viewers.

Aside from being a genuinely scary film, The 💱 Shining has left its mark on modern pop culture. Who doesn't recognize the image of Nicholson poking his head through 💱 a doorway and shouting "Here's Johnny!"? The Shining also served as fodder for one of the best "Treehouse of Horror" 💱 segments in the history of The Simpsons.

The film is required viewing for any horror aficionado -- just don't expect to 💱 sleep easily that night -- and our pick for the best horror movie ever made.

Scene to watch with the lights 💱 on: "The blood usually gets off on the third floor." May we also suggest the Room 237 scene. Beware of 💱 women in bathtubs that are really Overlook corpses!

Upcoming Horror Movies in 2024

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Horror movies are in a great place right 💱 now. There have already been a ton of great horror films to arrive in 2024, with franchises like The Conjuring 💱 and Saw getting new movies. But even if that's not enough to quench your taste for the macabre, there are 💱 plenty of horror films coming out in the next few months that are sure to get your blood pumping.

Night Swim 💱 - January 5, 2024

Imaginary - March 8, 2024

The First Omen - April 5, 2024

Terrifier 3 - October 25, 2024

Nosferatu - 💱 December 25, 2024

Salem's Lot - TBD

Note: This list was updated on 09/18/2024 to add more information about upcoming horror movies.

I refer to all the days as "Bonus Days." Now that I am in my golden years I refer to them as "Double Bonus Days!"