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British composer (born 1982)

Musical artist

Stephen Barton (born 17 September 1982[1]) is a Grammy-nominated and SCL Award winning British composer. He 5️⃣ splits his time between his native London and Los Angeles. He has composed the music for dozens of major film, 5️⃣ television and video game projects.

Early life [ edit ]

As a child, Barton became a cathedral chorister at the age of 5️⃣ eight in the world-renowned Winchester Cathedral Choir, touring internationally with the choir in the United States, Australia and Europe, including 5️⃣ concerts in Sydney Opera House, the Royal Albert Hall, and Carnegie Hall; and performing on numerous albums and television broadcasts. 5️⃣ He subsequently won a prestigious Department for Education specialist music scholarship to study piano and composition at Wells Cathedral School,[2] 5️⃣ one of the oldest extant schools in the world. At 18, he became an assistant to the composer Harry Gregson-Williams, 5️⃣ working for him on numerous film scores before branching out to form his own company in 2009.[citation needed]

Video games [ 5️⃣ edit ]

In 2007, he wrote the score for the highly regarded Call of Duty 4: Modern Warfare (with Harry Gregson-Williams).[3] 5️⃣ He teamed up with the same developers at their new company Respawn Entertainment to work on the music for Titanfall,[4] 5️⃣ an online-only multiplayer shooter. Barton also created the music for the 2024 sequel, Titanfall 2. In 2024, he composed the 5️⃣ original music for Titanfall’s battle royale sibling, Apex Legends, including the now iconic four note theme motif, and has continued 5️⃣ to compose over three hours of music for all subsequent seasons of the game.

In 2024, he also co-composed the score 5️⃣ for Star Wars Jedi: Fallen Order, which won the Society of Composers and Lyricists inaugural award for Best Original Game 5️⃣ Score, as well as Music of the Year from G.A.N.G., amongst other awards. In 2024, he composed the score for 5️⃣ the sequel, Star Wars Jedi: Survivor.

Film and television [ edit ]

Barton's film work include scores for Unlocked, Cirque du Soleil: 5️⃣ Worlds Away, Jennifer's Body, Tom Dolby and Tom Williams' debut feature Last Weekend, Line of Fire, Mrs. Palfrey at the 5️⃣ Claremont and the BAFTA nominated thriller Exam. He also contributed music for the Narnia and Shrek franchises (including the "Fairy 5️⃣ Godmother Song" from Shrek 2) as well as Ridley Scott's Kingdom of Heaven, Tony Scott's Man On Fire and Ben 5️⃣ Affleck's Gone, Baby Gone.

In television, he scored two seasons of the highly regarded TV adaptation of 12 Monkeys, and has 5️⃣ collaborated extensively on nature documentaries with Natural History New Zealand and the Discovery Channel.

Chris Prynoski, the animator behind the hallucination 5️⃣ scene in Beavis and Butt-Head Do America, heard Barton's score for Call of Duty: Modern Warfare and asked him to 5️⃣ score Titmouse's animated series G.I. Joe: Resolute,[5] which led to a further collaboration on a series for Disney, Motorcity.[6] In 5️⃣ addition to those he also co-wrote the music for MTV's Disco Destroyer,[7] a project conceived by Scott Mosier, Jim Mahfood 5️⃣ and Joe Casey and animated by Titmouse, composing the score with Chevy Metal and My Ruin guitarist Mick Murphy. Subsequently, 5️⃣ he scored Titmouse's Niko and the Sword of Light series for Amazon Studios.

In 2024, Barton served as the primary composer 5️⃣ for season three of Star Trek: Picard, which was released in 2024. He was the sole composer for the first 5️⃣ six episodes of the season and shared composing duties with Frederik Wiedmann for the final four episodes. Barton reused themes 5️⃣ and styles from many prior Star Trek composers, notably including Jerry Goldsmith and James Horner, combining them with his own 5️⃣ original music.[8]

Other work [ edit ]

Barton has collaborated frequently with Sir Anthony Hopkins since producing the soundtrack for the film 5️⃣ Slipstream in 2006. He produced the Decca album "Composer", which topped the UK Classical charts for a month in 2012,[9][10] 5️⃣ as well as collaborating with Hopkins on the production of "And The Waltz Goes On" with André Rieu, which won 5️⃣ the Classic FM "Album Of The Year" award in the Classic Brit Awards 2012.[11] As a pianist he has performed 5️⃣ extensively as a soloist with numerous orchestras including the Dallas Symphony Orchestra, Colorado Symphony,[12] City of Birmingham Symphony Orchestra, and 5️⃣ the Brussels Philharmonic, as well as on numerous movie soundtracks and diverse albums including Hybrid's I Choose Noise[13] and playing 5️⃣ the mellotron on a cover of Snowblind for Fireball Ministry's eponymously titled album in 2010.

He is recognized as a leading 5️⃣ voice and expert in the emerging field of spatial and immersive audio, has consulted on the subject to the BBC 5️⃣ and Qualcomm, is a committee member of the National Academy of Recording Arts and Sciences and a founder member of 5️⃣ the Abbey Road Studios Spatial Audio Forum.

Discography [ edit ]

Film scores

Other credits

Television

Video Games

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